Goki wrote:
AGAIN...
This is my 8th drum set, and I still have problems with the sound of my S Classix bass drum...
The toms are FANTASTIC - DIVINE even... I put Coated Ambassadors on top, left the factory resos... Just perfect... A good, loud and open sound. It isn't warm (maybe if I had Coated Emperors, I'd get a warmer sound, but I'm sure I'll lose the sustain and ring).
The snare drum - could be better. The factory (made in US head) is not as good as a regular Coated Ambassador (I guess that goes for the snare side, too)...
Unfortunately - tha bass drum has a lot of BOOOOOM in it. So, as usual, 2 things come to mind:
1) Putting a light blanket inside, to take some of the air power.
2) Porting the head - and taking it from there. Unfortunately, I'm a bit against porting the head at this moment...
Changing the head combination is not an option - until I save enough for a Coated PowerSonic...
Funny, my friend (a great jazz drummer - the best here) made the bass sound phenomenal - but I get to play it, not him...
The bass drum is 17.5" deep - so moving a lot of air inside makes unwanted sound waves appear...
Opinions?!?
I already have a port hole, and a port ring (thanks Brian). And, of course, a light blanket...
P.S. I've tried using a felt strip on my Hilite - nothing...
Goki, I'm trying to imagine what problem you are having. When I got mine, my sense was that there was too little BOOOOM, which is to say, there was a lot of attack, a fair but short low bass presence, but no middle warmth that creates a round sustained tone.
By what you say, it sounds as if your perception is the exact reverse of mine, and the solution therefor, would be exactly the opposite of my solution, which was to fit a Fiberskyn Ambassador weight reso w/felt strip loosely applied. But before you start with the light-saber-and-laundry solution:
Questions:
Does my description match your experience?
Are you describing an ambient sound or a miked sound?
If your friend played it and it sounded great, was that because you were out in front of the drums, away from the kit, where the Classix sound can really be heard?
Is there a way that you can duplicate the way he played?
Coming off the HiLites, you may have developed habits that are not the best for the Classix. Does a lighter foot give you more of the sound you're looking for? Is your friend burying the beater or does he keep the beater out of the drum?
Changing a kit can demand a very different style of playing. I set my Designers back up this evening after playing the Classix for the last two weeks, and it took me a half hour to remember how to play them, even though I've played nothing but Designers for the last eight months.
A new kit takes some learning. Keep at it!